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1. #MEN IN BLACK BLUE SCREEN TUNNEL MOVIE#
2. #MEN IN BLACK BLUE SCREEN TUNNEL FULL#
3. #MEN IN BLACK BLUE SCREEN TUNNEL PLUS#

#MEN IN BLACK BLUE SCREEN TUNNEL MOVIE#

If you have that sense of, let’s try to make things look photographic rather than computer graphic, or video game style, or whatever, I think it allows the audiences to identify with the story, and kind of get lost in it to a greater level.Īnd I think that’s one of the real charms of the movie is that everything is so over the top, and so almost cartoony in the action, but yet you genuinely feel like its all been filmed by real people undergoing the stuff by a real movie crew.

I think since then the industry sort of was swinging too far in one direction, and now it seems like it’s kind of levelling out at once again and saying, let’s use the best technique for what we need to do. Vfxblog: It’s been 20 years since the film came out, but what do you remember most about Men in Black and its visual effects legacy?Įric Brevig: Well, kind of the most satisfying for me was realising we were definitely at that sweet spot between practical and digital effects.

#MEN IN BLACK BLUE SCREEN TUNNEL PLUS#

We also dive into the major plot changes and plot fixes enabled via visual effects, plus the secrets Brevig learnt from Sonnenfeld in making comedic moments. To celebrate the film’s two decade anniversary, vfxblog spoke to visual effects supervisor Eric Brevig about Men in Black’s aliens, humans who are actually aliens, and about the range of models and miniatures used in the show. Several other studios – practical and digital – also contributed. It is a film also adored for its combination of practical and digital effects, mixing Rick Baker’s makeup and creatures through this Cinovation Studios, with Industrial Light & Magic’s CG and miniatures handiwork. Twenty years ago, Barry Sonnenfeld delivered the quirky action sci-fier Men in Black, starring Will Smith and Tommy Lee Jones, to adoring audiences. “I’ve always told people that when you have a movie that’s fairly complicated be sure to have a talking pug dog in it, because then you can fix things after with the same pose.” – Eric Brevig, Men In Black visual effects supervisor

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#MEN IN BLACK BLUE SCREEN TUNNEL FULL#

Dutra reflects on those early days of the digital age Retro VFX: The Fifth Element Multi pass and motion control: re-visiting the VFX of 'The Fifth Element' Retro VFX: Terminator 2 Full liquid metal, now in 3D: re-visiting the freakin’ T-1000 walking out of the fiery truck crash Retro VFX: Dante’s Peak The race to finish Dante’s Peak.20 years ago Retro VFX: CG Jabba You’re a wonderful human being: re-visiting CG Jabba 20 years later Retro VFX: Mars Attacks! Behind the ILM Mars Attacks! tests that convinced Tim Burton to go CG Retro VFX: Twister It’s been 20 years since ‘Twister’ brought us that flying cow Search for: Archives The social (VFX) lives of Hollywood Behind the scenes vfx pics posted by the stars Retro VFX: Contact The famous mirror shot in ‘Contact’ was almost something else entirely Retro VFX: Men in Black ‘Men in Black’ and its crazy collection of real and CG creatures Retro VFX: Batman & Robin The forgotten freeze-frame moments from the film Retro VFX: Predator Optical compositing, thermal cameras and *that* red suit Retro VFX: The Mummy Re-visit the digital make-up, mocap and other VFX innovations from the 1999 film RETRO VFX: The Lost World Animation director Randal M. Retro VFX: The tech of Terminator 2 An oral history with ILMers behind the CGI.